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News

Conference Presentation: Royal Geographical Society Annual Conference

Paper: “Performing Temporal Irresolution: Art, Temporality and the Rokkasho Reprocessing Plant”
Panel: “Grounding nuclear imaginaries: Placing geographies of nuclear ‘progress’, protest, and care (2)”
Conference: 1–4 Sep 2026, Royal Geographical Society, London, United Kingdom, and online
Session: 2 Sep 2026, Skempton Building, Lecture Theatre 201, Imperial College London, London, United Kingdom

Film Screening: “1103 Sunsets”

By the artist collective Fukushima Mon Amour (Yoi Kawakubo, member)
Note: Screening only — the artist will not be in attendance
Part of: “A Constitution for the Twenty-First Century” Project Launch, McQuillan Institute for Science, Technology and the Human Future
Date: 13:00–14:15, 12 Sep 2026
Venue: Norton’s Woods Conference Center, 136 Irving Street, Cambridge, Massachusetts, United States

Group Exhibition: “Fukuoka Art Next” FaN Week 2026 — Collectors V

Date: 19 Sep – 5 Oct 2026
Venue: Fukuoka Art Museum, 2F Special Exhibition Room, Fukuoka City, Fukuoka Prefecture, Japan

Screening and Panel: A Constitution for the 21st Century

Short film screening and panellist
Organiser: American Philosophical Society, with the McQuillan Institute for Science, Technology and the Human Future
Date: 29 Oct 2026
Venue: Philosophical Hall, 104 South 5th Street, Philadelphia, Pennsylvania, United States

Festival: OFF Bratislava — International Festival of Contemporary Photography

Date: 6–20 Nov 2026
Venue: Various venues, Bratislava, Slovakia

Group Exhibition: Understructure

Date: 19 June (Fri) – 11 July (Sat) 2026

Venue: Sono Aida #Akasaka
Address Building, 2-2-19 Akasaka, Minato-ku, Tokyo, Japan
(1-minute walk from Tameike-Sannō Station, Exit 8)

Open Studio: 19 June – 23 June
Exhibition: 24 June – 11 July

Opening Hours: 12:00–20:00
Closed: Mondays
Admission: Free

Participating artists: Yasushi Aizawa, Ryosuke Imazato, Joy Kawakubo, Yuta Tokunaga, Tomokazu Fujita, Akira Fujimoto, Rina Machida, Takamitsu Miyagawa, Wataru Yamagami, and Cannon Hersey.

Publication: Book Chapter in "Art Encounters in the Nuclear Age -Radiant Objects-"

Chapter 2 "Photography and Materiality: Accounts from the No-return Zone of Fukushima" in "Art Encounters in the Nuclear Age -Radiant Objects-", 2026, Ed. Jessica Holtaway, Routledge, London.


Exhibition: Invisible Fire — The Age of Epimetheus

 22 May – 10 June 2026, at the Daiichi Life Gallery, Tokyo

Art Fair Exhibition: Made in Aomori – Intersection of Nature and History (Art Düsseldorf ver.)

17 April (Fri) – 19 April (Sun) 2026

Venue: AREAL BÖHLER, Booth E01 (anonymous art project)

Hansaallee 321, 40549 Düsseldorf, Germany

For details please click here


Curator: Eriko Kimura (Director, Hirosaki Museum of Contemporary Art)

Participating Artists: Yoshitomo Nara, Makiko Kudo, Mako Oodaira, Saeko Mimura, Yoi Kawakubo, Erika Kobayashi, Ai Iwane, Yuki Okumura, Yoriko Mizushiri, Ishu Han

Project Coordination (Düsseldorf): Mariko Mikami

Book Launch & One-Day Exhibition: Picturing the Invisible – Earthquake, Meltdown, Memory

15 March (Sun) 2026, 11:00

Venue: Messums West

Place Farm, Court St, Tisbury, SP3 6LW

For details please click here

Exhibition: Collection 2024 III Hiroshima MOCA

21 December (Sat) 2024 - 4 April (Sun) 2025  

Venue: The Hiroshima Museum of Contemporary art 

1-1 Hijiyama Park, Minami Ward, Hiroshima City, Hiroshima Prefecture,  Japan

For details please click here

Exhibition: Left is Right
- The Garden of 4.5 Billion Years and Boiled Frogs -

30 October (Wed) 2024 - 23 March (Sun) 2025  

Venue: The Maruki Museum for the Hiroshima Panels  

1401 Shimogarako, Higashimatsuyama-shi, Saitama 355-0076 Japan

For details please click here.

About

Yoi Kawakubo (he/him, b. 1979, Spain/Japan/UK) is a international artist with multicultural background who explores the ontology of structures regarding justice and legitimacy, the unearthing of marginalised historical narratives and the analysis of social issues such as the ethics of financial markets or the problems of nuclear energy. He addresses these topics by employing a variety of strategies, derived especially from photography, film, experimental literature, the conceptualist investigations in art since the 1960s and the logics of financial markets.

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